Sunday, October 24, 2010

'Red Walls' MIA blog




Imagine about walking into a bright red room, think ripe cherries, about 20 by 12 feet in size, and placed in the room are three pieces of art. Two of them are on pedestals which are the same red as the room, the third piece is mounted on the wall.

The first pedestal is placed to your left about six feet into the room, on this pedestal is an cracked white earthenware dish. Two feet forward and to your right is the other pedestal, on this one is a wicked looking object of some kind that looks as though its covered in lightning. On the back wall of the room is a black and white photograph of a half nude woman, who seems to challenge you with every step you take towards her.


Brush washer, 18th century, glazed earthenware, unknown artist.




Cracked earthenware that is both beautiful and broken, soft womanly curves that speak challenge, and a sharp object which your not really what it is.

When I see these three pieces of artwork together I almost combine all three of them to create one idea. I start out with the earthenware dish because it creates the foundation for my idea, or the beginnings of content in this installation. Think about it as representing society as we know it, what could the cracks possibly mean?








Now move on to the sharp object that turns out to be a scepter, its not only wicked looking but it is something that is normally associated with rulers or someone of power. Try putting this together with the cracked dish representing society, this scepter that could mean power over people. Are you starting to see it? There is something bigger being shown here, then just several random objects.



Axe Scepter, Jade, 1766 B.C. - 1122 B.C. Shang dynasty.

Lets go over to the final piece of art, the challenging picture of a half nude woman entitled ‘Dotty’. Ask yourself the question, who is she? Could she be a generalization of the everyday woman, and if she is, what is the meaning for her being topless? Looking back at the two previous works of art, how do you think she fits into this installation. OK, so lets break it down. The earthenware is the cracks in todays society, and the axe scepter is power of todays rulers, and ‘Dotty’. Well, ‘Dotty’ is todays woman, who is stripped of her rights even though she is free to do whatever she wants. Still not quite there yet? Let me put it all together then.




‘Dotty’ is the woman we all want to be, strong and challenging, she has been stripped of her rights by the powers that be (the axe scepter). But she is still fighting, staring you in the eye, not ashamed by her nakedness. She is saying, no matter how you strip me I will fight and brake my way through, I will brake apart society to get my rights back (the earthenware dish). And she will keep on fighting no matter what,

through tears and bloodshed. Now look around you, stare at the walls, what do you see?


Friday, October 22, 2010

MIA: Three Art Pieces



Take a moment to look at each individual picture as a piece alone. Now look at them together as if they were in the same room together. Does it give you a different thought, or feeling about them?


All of them are faces, but we really don’t pay attention to the emotion a face can show. For example, when we look at a mask, we usually don’t think much about it, we think about how cool it is and move on. Putting these three together, gives it that thought. Behind every face, mask, or painting, there is a person with emotion, and someone who has thoughts and is just like everyone else, even though they are from the past. We see pieces of art, but we forget to notice the background or story behind each one.

In these three pieces, there's this power of silence in the beauty of their faces. They look like they have nothing to say, but in their minds they are waiting to shout. The mask or veil hides everything they have to show. In general, women may not of had the chance to voice their opinion or say much of anything.


Image 1: Marie Louise Ekisabeth Vigee-Le Brun

Image 2: Olmec People

Image 3: Raffaele Monti

Thursday, October 21, 2010


Take a second and look at each individual image above, then look at the pictures as a group. Does this tell you a story, or put thoughts into your head? When I saw these images together I saw a story that almost felt familiar to me as it can be seen everywhere today, especially with the media.
This girl, lying on her death bed, fills her head with thoughts to cover up the pain she feels. She dreams of being a high-fashion model, like the ones on a fashion magazine cover, and live the fantasy life. Unfortunately, she is not aware that she could one day grow up to become a wealthy, abounding women with a happy life no matter what her appearance may look like.

Images found at http://www.artsmia.org
Image 1: "Bosnia" by Gilles Peress. 1993
Image 2: "Untitled" by Ramon J. Muxter. 1972
Image 3: "Paul LeBreque Salon, Reebok Club, NYC" by Toby Old. 1995



Created by Rachael Henn
October 17, 2010







Wednesday, October 20, 2010

MIA story as told by Maddie

hey it finally decides to post... sweet! well anyways


so imagine a room, with these three pieces in it, the Buddha would be located in the center and the man with the sweet glasses (which i want,,, did you hear that Santa?) would be on one wall and the opposing wall to that would be this pristine painting of this paradise like setting.
--------------------------------------------------------------------


So lets think about what people want in life, which is usually quite universal. It's usually happiness (but the only things about happiness that isn't universal is how it's achieved or what it is that makes us happy, which varies from person to person.) but to connect that concept with my set up is very simple. the guy with the glasses is trying to reach enlightenment to achieve paradise or nirvana( the painting) and Buddha is going to show him the way. 
Cordially, 

Maddie Harr

Tuesday, October 19, 2010

Three Pieces- Kacie Nelson

This piece is called “Cocktails on Carpet”
by Martin Parr in 2005.

These Three pieces, in my eyes, work extremely well together. Not only are they all depictions of people, but they seem to make me feel thoughtful and interested. In the pieces by Andy Worhol and Chuck Close, pensive is the word that comes to my mind when studying the two, and having them next to one another works well because of this. The third piece by Martin Parr also ties in nicely because, although it's not a portrait, it is very intriguing just as the other art works. As a whole the three pieces fill me with questions, in the best way. I can't help but to wonder who and how these people relate yet I never feel the need to question if they are related.

Fonts, Maddie and Tawnya (SECTION B)



Buttons and patches-- taken from dafont.com
1) each form has a element of surprise which relates with the sewing theme, specifically buttons
2)it reminds me of crafting and of the 50's which was a popular style for the button in that generation, the  perfect circular shape with four smaller holes also in the shape of a perfect circle.
3) the domestic sewing housewife of the 50's as well as chocolate chip cookies
4) was the artist who created this font into mod-deco sewing crafts? why buttons instead of snaps or even zippers? or what about buckles? or better yet, tennis shoe Velcro straps.
5) this font would be an ideal font for a sewing craft store, or possibly a tailor or dry cleaners or even a nanny




Ehco Deco -- taken from dafont.com
 1) we see the elements of line and shape with in the positive and negative space and we perceive it as font due to our gestalt.
2) It reminds us of bar codes, band posters, television static, and inks
3) the vertical line creates a strong and stable feeling and the diagonal on the solid shape helps to offset the motif and create excitement and tension in the font.
4) why vertical lines vs. horizontal or diagonal lines, and is there a font that inspired this particular font
5) we think this font is ideal for graphic design, specifically band posters, potentially a punk-indie band, because it strongly displays characteristics of being off the beaten path, the road not taken.


cordially,

 Tawnya and Maddie


Fonts: A Love and Hate Relationship


ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 Andale Mono
1. It is San Serif. Yet the low case i and l do not.
2. It reminds us of Apple Inc.
3. It gives the feeling of old typewriter without courier.
4. Why is it that the i and the l have serifs? Why does the text have to become thick when it becomes enlarges? Why can’t it stay thin?
5. It looks better when it is smaller J
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 Comic Sans L
1.  grossness
2. It reminds me of the Sunday comics… meh.
3. Hatred for this font.
4. Why was something like this created? Why do people need to use repeatedly for things that are not casual? What appeal does it have.
5. It is a really crappy font, and it is hard to read when it is smaller.
Created by Vanessa Mullenix and Antonio Lobo Méndez